Suspended Animation

Since writing my last post on leaving teaching, it has been a weird period for me, a time of limbo where I’ve been busy as hell but don’t have much to show for it. The majority of my time has been sapped up job hunting: sending out resumes, waiting… doing interviews, waiting… doing follow-up interviews, and, of course, more waiting. I’ve passed on one untenable offer already, and am waiting on at least one more offer in the next week, hopefully one that I can live with. As a teacher, I’ve always had to scrape up lousy temporary work for the summers, and as much as that sucked, trying to find a new permanent job is even more grueling and discouraging, mostly because of the waiting and the uncertainty the future holds.

Hot Investment Tip: buy copies
of the original edition while you can
so you can sell them on Ebay in ten
years when they're collector's editions!

It is also a little exciting, though, particularly with the writing projects I have in the hopper, first and foremost being what’s going on with my Dreamwielder series. Souldrifter, the second book in the series, was originally slated to come out this summer, but my publisher, Diversion Books, has decided to release a new edition of Dreamwielder first, with brand new cover art. As much as I love the original cover, I’m excited to have a cover with Makarria on the front. Stay tuned for a cover reveal soon! The re-release of Dreamwielder will push the release of Souldrifter back until the fall, in order to give us more time to get advanced copies to reviewers and do some giveaways, which is all good. The new book is even better than the first and I think readers are going to love it, but they have to know about it first.

In addition to working with my publisher and agent doing all the behind-the-scenes editing and marketing business on the Dreamwielder novels, I’m outlining the third book in the series and back to working on my unrelated cli-fi novel, Remember the Future. My goal is to have a first draft of Remember the Future done by summer’s end and then get to writing the third Dreamwielder book before Souldrifter is released, but no guarantees! That’s the one thing I’ve been reminded of during this period of suspended animation: nothing works out quite the way I expect it to.

-Garrett Calcaterra

Goodbye to Teaching

I'm used to saying goodbye to students come late May every year, but last week was different. I wasn't just saying goodbye to students for the summer, but to teaching altogether. The decision didn't come easily.

My first year teaching, 2002. Songwriting
students and me in the lower right hand corner.

I love teaching, and teaching writing itself forced me to grow into a better writer, a better reader, and an all around better person. On top of that, the colleagues and students I've had over the years are some of my favorite people ever. "Why leave then?" you're probably wondering. Partly, it's because my wife and I are moving, but, sadly, the answer has mostly to do with money. Simply put, I can't afford to be a writing teacher anymore. There are a lot of reasons for this, many of them having to do with systematic problems in the administration of higher education, but I don't have any solutions to offer, so I'm not going to complain. What it came down to for me was that after twelve years in the classroom, I've reached my zenith career-wise in academia. I have no PhD and my professional writing credits are in the speculative fiction field, which adds up to being permanently stuck as an adjunct (part-time) instructor, particularly with the trend in higher education of relying even more heavily on adjuncts in recent years.

A going away gift from the Creative Writing
Conservatory at OCSA, 2015.

At times I've felt like a mercenary writing instructor, teaching up to seven classes a term at three different institutions, each considered a part-time job with no benefits, but combined adding up to ludicrous hours not only in the classroom, but also prepping for lectures and grading. Mostly, though, I've enjoyed my time teaching and helping young people find their voices as writers, and if I could keep doing it and create a secure future for my wife and I, I would. Teaching for the Creative Writing Conservatory at the Orange County School of Arts (OCSA), particularly, has been a great experience. Jim Blaylock brought me on in 2002 to teach a songwriting course, which then expanded into teaching a slew of other creative writing courses, including classes on spec-fiction, novel writing, zombies, and comic-book writing. And it was at OCSA that I got to know Tim Powers and met lifelong friends, both in the faculty and among the students. Similarly, although to a lesser extent, teaching at Chapman University has been highly rewarding. The students have always been respectful to me and receptive to my techniques, despite whatever misgivings they might have had about writing coming in. The faculty within the English Department have been great as well.

So what does this mean for me moving forward? It means taking on a full-time day job as a copywriter, which, believe it or not, will be less work than what I've been doing. Granted, it won't be as personally rewarding, but it will open up a lot of time for reading and writing, which I am very excited about. I haven't had much time for pleasure reading the last ten years, so I'm looking forward to getting caught up on current work in the spec-fiction field. Most importantly, with the change I'll be writing like a fiend from now on.

Souldrifter is slated to come out this summer from Diversion Books, and then I'll be working on the third installment in the Dreamwielder Chronicles as well as my standalone cli-fi novel, Remember the Future. After that, who can say? I have a lot of crazy ideas percolating in my brain—it's time to start getting them out!

-Garrett Calcaterra

(Addendum: 5/28/15 5:55PM PST - Several people have asked me offline to comment more on the problems I've experienced as an adjunct. I don't want to single out any of the schools I've worked for, but here are a couple of recent articles from the NY Times that I've found to be pretty spot on: 1) The Real Reason College Tuition Costs So Much, 2), What's the Point of a Professor.)

WonderCon 2015 Wrap-up

It was good to get back to a convention finally. I didn't get to spend as much time at WonderCon as I would have liked, but still got check out a few panels on Friday and Saturday. Here's a quick recap.

Friday wasn't too crowded. I walked the main exhibit hall with my wife and we met up with spec-fic author Craig Comer to check out a panel on trans-marketing creative projects. The highlight of the day for my wife was catching close-up glimpses of Lou Ferrigno and Margot Kidder. For me, it was just fun to see everyone dressed up and the spectacle of it all.

Drill Sergeant Preacher
doesn't approve of Cthulhu

Saturday I went solo. It was much more crowded and security was amped up, partly, I assume, because of the militant Christian evangelists there. One guy, whom I dubbed Drill Sergeant Preacher, took exception to my Cthulhu fish t-shirt and screamed at me, "I SEE THAT YOU LOVE YOUR FALSE PROPHETS MORE THAN YOU LOVE JESUS!!!" I just smiled and snapped a photo. I'm not sure what exactly he was hoping to accomplish. Do fire and brimstone sermons still work in the 21st Century?

Inside the convention center, I caught the panel on Fantasy Fiction, moderated by Maryelizabeth Hart from Mysterious Galaxy and featuring Arwen Elys Dayton, Todd McCaffrey, Naomi Novik, and Greg Van Eekhout. The conversation got started with the panelists responding to

Find me at Wondercon 2015

WonderCon 2014 was the last convention I attended. :(

Between getting engaged, getting married, moving, and writing Souldrifter all in the last twelve months, I haven't gotten a chance to attend any conventions or conferences in quite a while, so I'm excited to attend this year's WonderCon as a professional attendee. Here's the panels I'm hoping to catch. If you'll be attending too, follow me on Twitter for live updates throughout the weekend and make sure to introduce yourself and say hi..Despite my grizzly-bearded visage, I promise I won't bite!


WonderCon 2015. Anaheim, California. April 3-5.

FRIDAY

12:30-1:30 Comic Arts Conference Session 1: Supeheroes before Superman. Room 210. I didn't even know there were superheroes before Superman and the Golden Age of comics, so this should be

A Name Change and a Change of Heart

Last month I submitted the manuscript for the Dreamwielder sequel to my publisher, Diversion Books, and after a bit of discussion we decided to change the title from The Faceless Enemy to something more in line with the title of the first book. The title we came up with is... wait for it... Souldrifter. It's got a nice ring to it, and hopefully it'll be something that captures readers' imaginations.

The tentative release date for Souldrifter is late summer 2015, and the Diversion team, my agent, and I are busily at work on all the little production and promotional aspects that happen before the release of a book. One of those aspects is wrangling up book jacket blurbs, and I'm happy to announce that the first of them is in, from none other than Wendy Wagner. Wendy is author of the Pathfinder Tales novel Skinwalkers, and also an editor extraordinaire with Lightspeed magazine who played a huge role in putting together Women Destroy Fantasy last year. Needless to say, I'm honored and proud Wendy agreed to say something nice about the book. Here's what she had to say:

"Packed with sorcerers, spies, and high-stakes intrigue, Souldrifter is a real page-turner, and Makarria is a teenage heroine who does more than just kick butt: she's smart, powerful, and surprisingly believable for a fourteen-year-old queen. A good read!"

The next bit of news for the book will likely be the cover art. As soon as I get it, I'll be sure to share it.

In other news, I've been doing a good bit of research for other writing projects and the classes I'm teaching, which more often than not tend to overlap. A case in point is the new short story I'm working on, partly inspired by a class I'm teaching—Innovation Inspiration in Speculative Fiction—and partly inspired by

The Faceless Enemy by the Numbers

The  sequel to Dreamwielder has 

more action, more airships, and 

more of Makarria kicking ass!

(Dreamwielder art 

courtesy of Patrick Williams)

(Update: After a bit of debate, my publisher, agent, and I decided to change the name of The Faceless Enemy to Souldrifter, so as to better tie-in to the first novel, Dreamwielder. 3/23/15)

My new fantasy novel, The Faceless Enemy, is done and sent off to my publisher! As you might expect, it feels good to be done, and I'm excited for the book to get into the hands of readers. In the interim, though, here's some details on how the book came about for those of you who are interested in the writing process or just like to break things down by the numbers.


15 MONTHS. From start to finish—planning, writing, and revising—the book took me fifteen months to complete. I started the book during NaNoWriMo in November of 2013 and sent the final draft to my editors at Diversion Books here in February 2015. Considering it took me thirty-nine months to get through the same process with the first book in the series, Dreamwielder, fifteen months is pretty good. Considering also that I got engaged, married, and moved during 2014, and fifteen months really ain't bad!

97,200 WORDS. The final draft I sent to my publisher weighs in at a respectable 97K words, which is 4K words longer than Dreamwielder. The first draft of The Faceless Enemy was only 92K words, but was light on setting description, background exposition, and secondary character viewpoint. Fleshing those aspects out during the revision process accounted for the 5K boost.

4 PARTS. With Dreamwielder, I closely followed the 3 Act, 8 Sequence structure used for film scripts, but with The Faceless Enemy I instead loosely followed the 4 part structure Michael Moorcock prescribed in

The Story Behind Page Fault

I am very excited to announce the release of my novella, Page Fault, a high-concept mash-up of cyberpunk, fantasy, post-apocalyptic, and noir fiction. I can't take sole credit for the high-concept idea, though.

Two years ago, I taught a George R.R. Martin author study course at the Orange County School of Arts. As you might expect, the class was great fun. We read Martin's early horror and sci-fi, read one of his Dunk and Egg novellas, watched a few episodes of Beauty and the Beast from his television writing days, and even got a visit from the man himself for a private lecture.

Seeing as how the class was for the Creative Writing conservatory, though, I also wanted to include a writing component to the course. So one day the students and I round-tabled to come up with a shared world in which we could all write stories, a shared world inspired by Martin's writing across the genre spectrum. The result of our collective imaginations was Soteria—a computer generated world that harbored the majority of Earth's population in a post-pandemic future. The students were great, and by the end of the day we had an entire codex written for our shared world.

Page Fault was my contribution to the subsequent short story collection the class wrote; it started off as an introductory vignette for the collection, but there was something about the vignette that called for more, so I revisited it and expanded it once the course was over. The resultant story is the three part novella you have before you now. It's a story I'm very proud of, and one I couldn't have written without the rich imaginations of all my students. So here's a big shout-out and thank you to all the students from that author study course. Cheers!

-Garrett Calcaterra