Several years ago I was swearing up and down that MySpace was a juvenile waste of time and that I'd never join up. Shortly thereafter, I joined up. I was right, of course. MySpace is juvenile and a monumental waste of time, but so are most things on the Internet and, besides, I allegedly created my account to be a homepage for my writing career, so why not? I solaced myself by insisting that was as far as it would go. When friends started joining Facebook a year or so later, I said to them that Facebook could go to hell and die. I certainly didn't need to be part of two social networking sites. Yeah, that time I held out for about a month before joining.
Considering my lousy track record at avoiding on-line conformity, it should come as no surprise then that I'm now writing this blog. This from a guy who up to a few months ago was still ranting that blogs are pointless. Oh well, a guy is allowed to have a change of heart, right?
Despite my previous railing against blogs, I hope this particular blog does actually have a point, even it is an entirely self-serving one. Here's my thoughts for the purpose of this blog:
1) Like many writers, I am a notorious slacker. I set grandiose goals and deadlines for myself and rarely meet those deadlines. I figure if I use this blog to publicly announce my goals, then maybe it'll hold my feet to the fire, so to speak, and I'll actually be more diligent. Consider it an experiment, if nothing else.
2) If I commit myself to posting a new blog entry at least once every two weeks, I'll at least keep my writing chops somewhat honed. In addition to the fiction and screen-plays I write, I like trying my hand at non-fiction articles and travel-writing and I suspect a blog can be a fertile breeding ground for new non-fiction ideas.
3) There is an off-chance that someone other than my parents has a passing interest in my writing. If any such people exist, this is the place where they can come to learn about new publications I have coming out as well as the projects I'm working on and shopping around.
So, let's get started. Number 1: my goals. Right now I'm finishing up a large book-editing project for another writer and I haven't looked at my own writing in two months are more. I hope to remedy that soon and get back to writing my own book, a dystopian high-fantasy/steampunk novel tentatively titled Dreamwielder. The book is entirely outlined and I've got about 100 pages written thus far. My goal is to get back to writing by the end of August so as to gain some momentum before September rolls around and I start teaching classes again. I'd like to sustain that momentum through the semester and have a working first draft of the novel done before Winter Break. There I said it, now I just have to do it.
Number 3: Upcoming publications and active projects. (Yes, I'm aware I skipped number 2. I'll get there...) As of tomorrow (August 6), I should have my flash fiction story “And the Winner is...” coming out in the on-line publication Zygote in My Coffee. The story is an unwholesome, hopefully funny, little piece that'll fit right in with the irreverent nature of the webzine. This publication is the second of three flash fiction pieces I sold this summer. The third comes out in October, I believe, and it sort of marks the end of the nice little stockpile of short fiction pieces I had accumulated and was sending out these last few years to editors. Incidentally, this is the reason I pulled all of my short fiction pieces from my MySpace page. Nearly all of them have been published or are pending publication now, and enough of them are available for free on-line that I don't feel it's necessary to keep them posted on MySpace .
Let's see, what else? Fellow writer Eric Tryon and I continue to collaborate on writing a script for a short horror movie that is slated to be filmed this upcoming winter by film maker Pete Vander Pluym. I think we are on revision twenty or so now, and we're both beginning to realize that short scripts need to be much tighter than full-length feature scripts. The other collaborative project I've been working on, The Roads to Baldairn Motte, is more or less wrapped up now. Ahimsa Kerp, Craig Comer, and I have all finished the separate novellas and mini-stories that make up this historical-fantasy mosaic novel, and Craig is in the process of spearheading our effort to find a publisher. It's a fairly unique type of novel, so it's not going to be an easy sell. The writing and stories are great, though, and I'm hoping some small publisher out there will give it a shot.
And lastly, number 2: some writing miscellanea. I know Comic-Con is two weeks gone now, but I still have some lingering thoughts after attending my first ever comic convention. In one of the panels I attended, DJ MacHale (author of the Pendragon series of fantasy books) was asked if his characters ever seemed to take on a life of their own and he finds himself having to rethink his plots while writing. MacHale acted almost offended, and spouted off that any writer who let that happen was a horrible planner and that, by god, he was the boss of his characters and they would stay in line with his master plan. This seemed rather disingenuous to me. I plan and outline as much as the next writer, but the fact of the matter is, as much as you plan and think you know your characters at the outset, those characters don't become real until the writing process actually starts. I think good writers are flexible and allow their characters to grow and develop as the story grows. This requires rewriting and revision, of course, but that's all part of the writing process. I've not read anything from MacHale and I don't mean to criticize him prematurely, but I have a strong suspicion that his characters might come across as flat and contrived. Anyone that's read his stuff, please weigh in on the matter and let me know what you think.
In stark contrast MacHale, I saw Ray Bradbury speak the following day at Comic-Con and was duly impressed. Bradbury is 89 now, in a wheelchair, and more than a little kooky, but he's still got fire left in him. When a high schooler came up to the mic and asked him what advice he had for aspiring writers, Bradbury went off for about ten minutes. He spoke passionately about how you have to let your characters grow and become real during the writing process. To illustrate his point, he said that he didn't write Fahrenheit 451, but rather that Clarisse, the little girl at the beginning of the book, wrote it and that the whole thing started as a conversation between Clarisse's character and Leonard Meade, the protagonist from his short story “The Pedestrian.” Bradbury has a penchant for over-romanticizing the writing process and giving his muse all the credit, but I have to say, he seemed much more genuine than MacHale and a helluva lot more inspiring.
Another thing Bradbury talked about was his love for comics. He credits comics for teaching him to read and understand stories long before he could ever read words. He's been a huge proponent of comics forever and even argued during his talk at Comic-Con that comics should be used as educational tools for pre-kindergarten students. Might seem crazy to some, but I'm not entirely convinced he's off base. Another of the panels I attended was specifically focused on using comics as a teaching tool. It was moderated by three university professors and they all argued that studying comics is not any different than studying cinema.
I never really had any exposure to comics until this last school year when I decided to learn about them and teach a course on comic book script writing. I realized while doing my research that I had no idea how to read comic books. After reading several books and articles on the history of comics, sequential art, and visual story telling—including this great article on how to read graphic novels written by a librarian:
http://www.hbook.com/pdf/articles/mar06_rudiger.pdf —I realized that the comic is a unique form of story telling that actually dates further back than cinema. I'm certainly not well-read in the realm of graphic novels and comics, but from the modest sampling I've read thus far, I have to agree with Bradbury and the profs who were arguing for their usage in education. One of my favorite graphic novels so far is The Walking Dead, written by Robert Kirkman. I've only read the first two volumes so far, but in my opinion the writing and character development is as good, if not better, than anything you'll find on TV or at the movies these days. Plus it has zombies, which is always a plus (although, I have to admit, I fear zombies are getting over-saturated in popular culture at the moment...).
Until we meet on the machine again,
Garrett Calcaterra
